Author: Kristin Dunn

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Wooden portfolios available online soon!

I’ve been getting many requests for wooden portfolios recently and because of the high level of interest I will be adding some standard sizes to the online store very soon, hopefully by mid April. The portfolios will be available in the same 7 sizes that the bookcloth versions are and to start will be offered in 3 different woods, most likely walnut, ash and teak and 3 finishes. The ordering process will be simple and foil stamping, colored cloth liners and pockets can be added to any wooden portfolio. The standard hinged pages as well as polypropylene pages will fit these as well. Stayed tuned and check back soon.

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jazz up your applications in 2010



If you’re searching for jobs or applying to grad school programs and you want your application to stand out from the rest, what better way to catch their eye than presenting them with a striking personalized portfolio loaded with your credentials. When they open the package and see your name emblazoned on the cover of a professionally made portfolio they will know that you are serious and are sure to remember your name. There will be a lot of information inside the portfolio that needs to be the real star of the presentation so keeping the portfolio design clean and simple is the best choice in this case. Choose colors that say something about yourself, your work, or even the institution that you are applying to. There are 11 fonts available in a variety of sizes and styles that can be used for personalizing your portfolio. For a subtle approach, a blind emboss of your name in the bottom right corner of the cover would be a great choice. If you want to add some color and make your name stand out a bit more, then choose one of the 10 colors available and opt for a dead center or optical center placement. All of these options are available in the online store at www.kdbooks.com.

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Happy New Year

I am excited to announce the launch of a new online store at kdbooks.com. It offers a large selection of semi custom screw post portfolios, ring binders and presentation boxes. Each design is available in a number of standard sizes and can be customized by making selections from various drop down menus. At this time there are 20 bookcloth colors to choose from however many more will be added in the near future. A portfolio can be covered entirely in one color or a second color can be chosen for the inner liners. Each structure can also be customized by adding any number of pockets or personalized with embossing and foil stamping. Take a look at the new site, your feedback will be appreciated.

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Big Box

This is the largest box I’ve made to date and I’m really excited about the possibilities it has opened up. I had always seen the 38″ x 26″ dimensions of the bookboard as the limit. After watching a home improvement show about how laminated plywood beams are made I decided that more than likely those limits didn’t exist. For each of the 11 pieces that make up the structure of the box, I cut 4 strips of .059 bookboard and laminated them, overlapping the seams of each. The box measure 42″ long, so I used one piece of 38″ and one piece of 4 1/2″ and reversed the placement on each layer. After the glue had dried I trimmed the ends down to the proper length. This produced a super strong and stable piece of bookboard that I knew could support the weight of the finished box. Since the box is so large it was important to build it with 1/4″ walls, standard 1/8″ walls would have made for a very flimsy and unwieldy structure. Trimming the pieces was a bit tricky. As with the pieces of any box it is so important that they are cut at perfect 90 degree angles through their width. 1/4″ thick pieces do not fit into the board cutter so they are all hand cut. It takes a real steady hand and perfect attention to keep the blade straight when cutting through that thickness. Once all the pieces were finally trimmed and glued, I covered the box in a lime green linen cloth and lined the trays with a deep wine colored Dupioni silk. I really like this color combination and am very happy with the finished product. I’m looking forward to applying this new technique to the creation of some unique and impressive custom portfolio and presentation pieces.

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NEW STUDIO

I am very excited about my recent move to a much larger studio. It feels good to spread out and have more space around my equipment. I’m still trying to get everything in order and figure out the best way to use the space. More than likely I’ll move things around before I’m satisfied but here are some photos as things are for the moment. I’m looking forward to taking on some new, exciting and larger projects as the year winds down.



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Photographer’s Portfolio

Long Beach photographer Wes Kroninger found me through this blog and was surprised to find that I was only 1 mile from his office. After a few visits to my studio and some time living with fabric swatches and foil stamping samples, Wes decided to go with a black hidden screw post portfolio and slipcase set with a subtle foil stamped logo in the bottom right corner. The foil stamping turned out great. Since the letters in his logo had plenty of space between them, I was able to use 2 different colors with just one die. The grey inner liner behind the pocket matched well with the logo and connected the outside and inside of the presentation together. I really like the the matte black “WK” that Wes chose to put on the portfolio’s spine. It’s these very small details that often make all the difference.

You can visit Wes Kroninger’s website here and his blog here.
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Unrequited

This was a fun project but I have to say I was a bit hesitant when my client said that he wanted his book printed on parchment. The thought of cutting, folding and stitching animal skin made my pescatarian stomach a bit uneasy, but I decided I was up for the challenge.

After the book layout was complete, the paper was purchased from Pergamena in New York, sent out to a printing company that specializes in printing on parchment and then shipped to me in Long Beach. When it arrived at the studio, I cautiously opened the package and was surprisingly delighted at what I saw. Each page was unique and beautiful with varying textures and colors, no two were alike.
Of course working with parchment is nothing like working with paper so it was a learning process, fortunately a smooth one. Each sheet had to be trimmed carefully as the printing was not consistently in the same place on each sheet. Then each sheet was scored, folded and pressed overnight. Next the signatures were collated, station holes punched and finally the book block was stitched, glued up, pressed again and then into the guillotine for a final trimming. The client wanted suede endsheets with a decorative border stitching. He also wanted the endsheets to be one continuous piece so I cut the suede to fit the bookblock, ran it through the sewing machine for the decorative stitching and then stitched the suede wrap to the bookblock.
The raised ligature on the front cover was hand cut and then carefully covered in a dark brown leather. The book’s title, “Unrequited” was foil stamped on the spine in 22K gold on the Kwikprint and finally the bookblock was cased in, pressed for a few days and turned over to a very happy client who then passed the gift on to it’s intended recipient.
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Architectural Photographer’s Portfolio

This was the second run of Los Angeles based photographer Lawrence Anderson’s portfolio so I decided to record a little of the action this time.

The development of this portfolio was quite involved and required the coordination of many designers and craftspeople. Every
aspect of the presentation, from the printing and paper choice to the durability and appropriateness of the shipping containers was considered. It was a fun process which resulted in an extraordinary presentation of Lawrence’s work that has seen nothing but rave reviews from it’s recipients.
At the core of this piece are two hefty and beautifully printed stacks of 13 x 13 images. Each stack slides into a diagonal hard edged pocket that has a birch veneer backing. The pocket is secured inside of a folder that is covered in a rich dark blue textured Japanese bookcloth. Each folder has the Anderson logo embossed on its cover.
The two folders then fit into the notched tray of a drop spine box. The notch in the tray is angled to match the inner pockets and allows for the folders to be lifted out. At the bottom of this tray is a repeat of the veneer liner that is the pocket back. The box is covered in the same dark blue fabric as the folders and has a smooth linen cornflower accent color on the flap and around the tray. The box stays securely closed with magnets that are hidden in the bright blue flap that is angled at the same degree as the notch in the tray and the pockets in the folders. A smaller version of the Anderson logo is embossed on the box cover along the edge of the angled flap.
The top left photo shows the box tray and cover as separate unlined pieces before they are glued together. The top right image is the embossing of the logo. The bottom left is gluing the veneer liner into the bottom of the box tray and finally gluing the angled liner onto the inside of the magnetic flap. Once all of the pieces are glued together, they are pressed under a lot of weight for 2 days and are then ready to send off.
You can find out more about Lawrence Anderson and see his amazing work at www.lawrenceanderson.net
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Making Envelopes

This project was not typical of what comes through the studio but it was certainly a fun diversion. A very special client of mine from San Francisco put in her yearly request for year end gifts for the students at her daughter’s school. This year it was these sturdy and colorful envelopes that will hold 4 x 6 photos taken throughout the school year.

Choosing the papers was the first step and of course the most fun. We met at my favorite paper store on earth, Flax Art & Design in San Francisco, and spent some time finding the perfect papers for the kiddos. Next, back in Long Beach, using PVA and a paint roller, I carefully laminated these very thin almost wrapping paper papers together with their much heavier liner papers and pressed them overnight. The next day after crunching the numbers, with a little trial and error, I creating a template out of bookboard and trimmed the now heavyweight paper to size.
Scoring, hole punching and eyelet setting were next and then came folding and gluing the paper into it’s 3 dimensional form. The ribbon was threaded through the eyelets and finally the 21 name plates were laid out, printed and adhered to the inner flap of the envelope.
I really enjoyed having these colorful envelopes around the studio for a few days. They were a nice change from the standard black clamshell portfolio boxes that so often taking up the space on my pressing table.