Tag: custom bookbinding

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Ring Binder Boxes

Here at Kristin Dunn Bookbinding & Design we receive a lot of requests for portfolio and box sets. While we love creating these layered presentations sometimes a single structure is a more appropriate solution.  In these cases we recommend ring binder boxes.  Ring binders are incredibly user friendly which is why people like them so much.  Just a simple click of the mechanism and you can add and remove pages quickly.  The standard 3 hole configuration of the ring mechanisms make punching holes totally stress free.  And the pages turn very easily without needing to worry about page formatting since the entire page is visible.  Ring Binder Boxes take the traditional ring binder to the next level by creating a sturdy and secure structure that is sure to impress any viewer.  Here is a sampling of some ring binder boxes that we’ve created for clients over the years.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

As you can see ring binder boxes can be embossed or foil stamped with your name or company logo and can be made in any covering material that you choose.  The cover, tray and liners can all be the same color or you can choose a different color for each part of the box.  All of our ring binder boxes are custom made to order so contact us to discuss your needs. Email kristin@kdbook.com

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Spine Covers to Enhance and Protect Portfolios

 

Spine covers provide the look of a hardbound, fully cased in coffee table style book, but provide the flexibility for adding and subtracting pages from your portfolio as need be. The spine cover is a “U” shaped channel that hides the spine edge of your portfolio pages and is sandwiched between the front and back covers.

Why choose a hidden screw post portfolio with a spine cover over a coffee table style portfolio? If you decide to increase or decrease the number of pages inside your portfolio you will be able to simply purchase a new spine cover and screw post set to fit these pages rather than order an entirely new coffee table style portfolio.

Spine covers are most frequently paired with hidden screwpost portfolios, but can also be paired with exposed screwpost books, and made to match or complement the front and back cover, logo color, slipcase, clamshell, inner liners, pockets, etc.  They can also be screen printed or foil stamped with your logo or title of your portfolio, especially handy when your portfolio is encased in a slipcase.

Spine covers not only act as an additional design element to provide a sleek, finished look to your portfolio, they also protect your portfolio’s spine and pages from dust and wear.  There is no portfolio more polished and protected than a book paired with a striking spine cover and encased in a matching slipcase or clamshell box.

The below gallery features just a few of our favorite projects that include spine covers.

Click here to see spine covers on our website.

 

 

 

 

 

 

 

 

 

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Inlays Add a Splash of Color

I just wanted to share some photos of portfolios that I’ve made recently that use inlays to add compositional interest and a little splash of color to book covers.  Using the inlay as a background for foil stamping is particularly effective but in the case of the Sila Portfolio and the Dionne Portfolio the inlays speak for themselves as simple colorful shapes.  Inlays can be made in all geometric shapes and sizes and can be placed anywhere on the book’s front or back cover.  They can now be added to custom built portfolios in the online store.  When ordering online I recommend sending a pdf for accurate size and placement of your inlay.

Amanda Portfolio
Sila Portfolio
Raymond Portfolio
 
Joshua Portfolio
Dionne Portfolio 
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New Round Portfolio Pockets

Just added to the site! A new way to express yourself through your portfolio. Now you can choose from horizontal, vertical, diagonal and round pockets. The small pockets are perfect for storing your business cards and the larger ones for unbound materials such as resumes and other leave behind literature. These pockets can be added to the inner liners of portfolios and clamshell boxes and can be covered in any of 27 color options.

Visit www.kdbooks.com to see all of the options.
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NEW STUDIO

I am very excited about my recent move to a much larger studio. It feels good to spread out and have more space around my equipment. I’m still trying to get everything in order and figure out the best way to use the space. More than likely I’ll move things around before I’m satisfied but here are some photos as things are for the moment. I’m looking forward to taking on some new, exciting and larger projects as the year winds down.



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Photographer’s Portfolio

Long Beach photographer Wes Kroninger found me through this blog and was surprised to find that I was only 1 mile from his office. After a few visits to my studio and some time living with fabric swatches and foil stamping samples, Wes decided to go with a black hidden screw post portfolio and slipcase set with a subtle foil stamped logo in the bottom right corner. The foil stamping turned out great. Since the letters in his logo had plenty of space between them, I was able to use 2 different colors with just one die. The grey inner liner behind the pocket matched well with the logo and connected the outside and inside of the presentation together. I really like the the matte black “WK” that Wes chose to put on the portfolio’s spine. It’s these very small details that often make all the difference.

You can visit Wes Kroninger’s website here and his blog here.
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Unrequited

This was a fun project but I have to say I was a bit hesitant when my client said that he wanted his book printed on parchment. The thought of cutting, folding and stitching animal skin made my pescatarian stomach a bit uneasy, but I decided I was up for the challenge.

After the book layout was complete, the paper was purchased from Pergamena in New York, sent out to a printing company that specializes in printing on parchment and then shipped to me in Long Beach. When it arrived at the studio, I cautiously opened the package and was surprisingly delighted at what I saw. Each page was unique and beautiful with varying textures and colors, no two were alike.
Of course working with parchment is nothing like working with paper so it was a learning process, fortunately a smooth one. Each sheet had to be trimmed carefully as the printing was not consistently in the same place on each sheet. Then each sheet was scored, folded and pressed overnight. Next the signatures were collated, station holes punched and finally the book block was stitched, glued up, pressed again and then into the guillotine for a final trimming. The client wanted suede endsheets with a decorative border stitching. He also wanted the endsheets to be one continuous piece so I cut the suede to fit the bookblock, ran it through the sewing machine for the decorative stitching and then stitched the suede wrap to the bookblock.
The raised ligature on the front cover was hand cut and then carefully covered in a dark brown leather. The book’s title, “Unrequited” was foil stamped on the spine in 22K gold on the Kwikprint and finally the bookblock was cased in, pressed for a few days and turned over to a very happy client who then passed the gift on to it’s intended recipient.
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Architectural Photographer’s Portfolio

This was the second run of Los Angeles based photographer Lawrence Anderson’s portfolio so I decided to record a little of the action this time.

The development of this portfolio was quite involved and required the coordination of many designers and craftspeople. Every
aspect of the presentation, from the printing and paper choice to the durability and appropriateness of the shipping containers was considered. It was a fun process which resulted in an extraordinary presentation of Lawrence’s work that has seen nothing but rave reviews from it’s recipients.
At the core of this piece are two hefty and beautifully printed stacks of 13 x 13 images. Each stack slides into a diagonal hard edged pocket that has a birch veneer backing. The pocket is secured inside of a folder that is covered in a rich dark blue textured Japanese bookcloth. Each folder has the Anderson logo embossed on its cover.
The two folders then fit into the notched tray of a drop spine box. The notch in the tray is angled to match the inner pockets and allows for the folders to be lifted out. At the bottom of this tray is a repeat of the veneer liner that is the pocket back. The box is covered in the same dark blue fabric as the folders and has a smooth linen cornflower accent color on the flap and around the tray. The box stays securely closed with magnets that are hidden in the bright blue flap that is angled at the same degree as the notch in the tray and the pockets in the folders. A smaller version of the Anderson logo is embossed on the box cover along the edge of the angled flap.
The top left photo shows the box tray and cover as separate unlined pieces before they are glued together. The top right image is the embossing of the logo. The bottom left is gluing the veneer liner into the bottom of the box tray and finally gluing the angled liner onto the inside of the magnetic flap. Once all of the pieces are glued together, they are pressed under a lot of weight for 2 days and are then ready to send off.
You can find out more about Lawrence Anderson and see his amazing work at www.lawrenceanderson.net
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Making Envelopes

This project was not typical of what comes through the studio but it was certainly a fun diversion. A very special client of mine from San Francisco put in her yearly request for year end gifts for the students at her daughter’s school. This year it was these sturdy and colorful envelopes that will hold 4 x 6 photos taken throughout the school year.

Choosing the papers was the first step and of course the most fun. We met at my favorite paper store on earth, Flax Art & Design in San Francisco, and spent some time finding the perfect papers for the kiddos. Next, back in Long Beach, using PVA and a paint roller, I carefully laminated these very thin almost wrapping paper papers together with their much heavier liner papers and pressed them overnight. The next day after crunching the numbers, with a little trial and error, I creating a template out of bookboard and trimmed the now heavyweight paper to size.
Scoring, hole punching and eyelet setting were next and then came folding and gluing the paper into it’s 3 dimensional form. The ribbon was threaded through the eyelets and finally the 21 name plates were laid out, printed and adhered to the inner flap of the envelope.
I really enjoyed having these colorful envelopes around the studio for a few days. They were a nice change from the standard black clamshell portfolio boxes that so often taking up the space on my pressing table.
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3 Prototypes

MEA Digital, a marketing agency based in San Diego, contacted me to build an edition of slipcases to house some promotional materials that they were planning on sending out. Since the 3 pieces, 2 books and a CD case, were all different sizes, a simple slipcase wasn’t going to fit the bill.

A three paneled presentation folder seemed to be a more practical solution. On the center panel, there is a thin pocket that the back cover of the large horizontal book slips into. It is the primary focus when the folder is opened. To the left is a similar pocket that will hold a smaller book and to the far right is a solid panel that the cardstock CD case will be adhered to. The right panel overlaps and attaches to the left panel via hidden Rare Earth NdFeB magnets. This design was a big hit so now it’s about color. I made 3 prototypes, red outside with grey interior, red outside with black interior and finally an all black folder. The embossed “m” logo entered the picture on the final all black folder and really adds a great touch in my opinion.
Check back to see the progress of this project and to find out more about MEA Digital you can visit their site at www.meadigital.com